Sleek, stemless, and wide-bowled for the home bar.

Freehand pinch-pot dinnerware with a neutral Bluff glaze drip along the rim.

Flared Weston vase. Part of our Seconds Collection.

A teardrop bud vase in Woodstock’s clean proportions.

Golden Ratio proportions, made for everyday use.

One Ludlow glass and a custom-fit soapstone base. Cold without dilution.

Two Ludlow glasses and a soapstone base. Cold without dilution.

Angular-yet-fluid rectangular glass vase. Part of our Seconds Collection.

Stoneware evergreen with a glaze that shifts at the edges.

Footed archival dessert bowl. Part of our Seconds Collection.

Small optic posy vase. Part of our Seconds Collection.

Better grouped. Surprisingly good at this scale.

Three tealights. Three distinct handmade techniques.

The double-gathered optic effect, at an intimate scale.

The ideal form for rosé, made with California winemakers.

Heart-shaped glass vase. Part of our Seconds Collection.

A Vermont collaboration. A gift built for sharing.

The double-gathered optic effect, at an intimate scale.

Simon and Andrew Pearce together for the first time: live-edge board with a glass bowl inset.

Two cones meeting at the center, sized for two to four.

Twisted Woodbury vase. Part of our Seconds Collection.

Three flames, one vessel. The light multiplies.

Four Nick & Nora glasses for a proper round.

Classic clean-lined dinnerware in soft Dove white glaze.

Fluted glass that does something to candlelight.

A minimal carafe and four everyday glasses.

Cylindrical clear glass vase for dramatic stems. Part of our Seconds Collection.

Heart-shaped clear glass vase. Part of our Seconds Collection.

Three twisted-stem pumpkins in small, medium, and large.

A surface that makes light play, not just pass through.

Voluminous hand-thrown pottery vase with mineral calcite stripe pattern.

A fluid pour, weighted for the hand that holds it.

A large-scale handblown globe. Rare at this size.

Spiral-throw Belmont cereal bowl in Crackle Celadon. Part of our Seconds Collection.

Bertozzi’s pine forest print on a 60" linen runner.