The oldest object in the room, done right in glass.

Three tealights. Three distinct handmade techniques.

Two double-gathered tealights, better together.

Nantucket's cylindrical form engraved with a delicate pine motif.

A hand-applied twist that catches light from every angle.

The Ascutney silhouette twisted mid-process, catching light from every angle.

Glass and pottery together. Our first mixed material piece.

Three textured tealights that refract light like crushed snow. 20% benefits LoveYourBrain.

A fine bubble texture, shifting with every flicker.

Polished metal taper holder with Woodstock's generous proportions.

Fluted glass that does something to candlelight.

The oldest object in the room, done right in glass.

Every arm and texture of a starfish, cast in glass.

Reusable stainless cocktail picks, presented in their own box.

Fluted glass that does something to candlelight.

Freehand and fluid. No two are the same.

Four stitched leather coasters in a mirror-polished stainless case.

A flared rim inspired by Paul Revere’s silver bowl.

Stacked glass spheres, each size one taller than the last.

Straight sides, modern foot, four sizes to scale.

A flared rim inspired by Paul Revere’s silver bowl.

Clean-lined Ascutney hurricane. Part of our Seconds Collection.

A flared rim inspired by Paul Revere’s silver bowl.

Twisted Ascutney hurricane. Part of our Seconds Collection.

Straight sides, modern foot, four sizes to scale.

Fluted glass that does something to candlelight.

Real silver leaf, encased inside the glass.

A snow-globe glow from white speckles worked by hand.

Details frozen in winter, flowing in summer.

Freehand and fluid. No two are the same.

Lit from within, signed by the glassblower’s pontil mark.

Column beeswax tapers in cream, hand-poured in the Catskill foothills.

Perforated aluminum tealight inspired by Boston brownstone windows.

Polished stainless flatware with a classic squared handle end.

Smooth alabaster tealight, made by stonecutters in India.