Substantial, refined, made by two glassblowers in tandem.

Made by two master glassblowers working in tandem.

Bubbled Vela glass with an architectural stand.

Globe-and-stem dome made by two glassblowers. Pairs with the Hartland Cakeplate.

A snow-globe glow from white speckles worked by hand.

Freehand and fluid. No two are the same.

Concentric swirls worked into the glass by centrifugal force.

A treeline etched onto a cylindrical hurricane. Candle included.

Lifts the wine's nose and invites conversation.

A shell spiral, hand-sculpted and cast into glass.

Wider proportions that work for candles or a trifle.

Nine fused handblown pieces that refract their own light. Part of our Seconds Collection.

The Ascutney silhouette twisted mid-process, catching light from every angle.

Details frozen in winter, flowing in summer.

Details frozen in winter, flowing in summer.

Fluted glass that does something to candlelight.

Freehand and fluid. No two are the same.

The wrapped-glass technique in its most intimate form.

Straight sides, modern foot, four sizes to scale.

Three flames, one vessel. The light multiplies.

A hand-applied twist that catches light from every angle.

Straight sides, modern foot, four sizes to scale.

Every arm and texture of a starfish, cast in glass.

Two small hurricanes, ready to give together.

A hand-applied twist that catches light from every angle.

A flared rim inspired by Paul Revere’s silver bowl.

Squared pottery taper holder in Cloud glaze.

A fine bubble texture, shifting with every flicker.

A traditional champagne setup, done properly in glass.

Paul Revere's silver bowl, reimagined in glass.

A snow-globe glow from white speckles worked by hand.

A flared rim inspired by Paul Revere’s silver bowl.

Beeswax church tapers, hand-poured in the Catskill foothills.

The double-gathered optic effect, at an intimate scale.

Freehand and fluid. No two are the same.