Nantucket Hurricane engraved with a forest motif.

The Hartland silhouette, in a pair built for the table.

Straight sides, modern foot, four sizes to scale.

Stacked glass spheres, each size one taller than the last.

The oldest object in the room, done right in glass.

A crystalline glaze that grows its own pattern in the kiln.

Freehand and fluid. No two are the same.

Hand-pulled crown gives this clear glass pineapple a one-of-a-kind texture.

Nantucket's cylindrical form engraved with a delicate pine motif.

A flared rim inspired by Paul Revere’s silver bowl.

Details frozen in winter, flowing in summer.

A mouthblown tealight inspired by a snowball crushed in hand.

Wider proportions that work for candles or a trifle.

A crystalline glaze that grows its own pattern in the kiln.

The oldest object in the room, done right in glass.

Concentric swirls worked into the glass by centrifugal force.

Essex's rolled rim and classic proportions, scaled into a stemmed hurricane.

Straight sides, modern foot, four sizes to scale.

Two-billion-year-old Carelian soapstone taper holder from Finland.

Straight sides, modern foot, four sizes to scale.

The double-gathered optic effect, at an intimate scale.

Two small Echo Lake Hurricanes, gift boxed and ready.

Polished metal taper holder with Woodstock's generous proportions.

Smooth alabaster holder in Manchester's stacked geometric angles.

Wider and lower Nantucket proportions. Signed by Simon.

Straight sides, modern foot, four sizes to scale.

Three flames, one vessel. The light multiplies.

A fine bubble texture, shifting with every flicker.

Double-gathered glass that moves like water when lit.

A shell spiral, hand-sculpted and cast into glass.

Freehand and fluid. No two are the same.

Better grouped. Surprisingly good at this scale.

Golden Ratio proportions in a stemmed hurricane. Two ivory candles included.

Squared pottery taper holder in Cloud glaze.

Bubbled Vela glass with an architectural stand.