The Ascutney silhouette twisted mid-process, catching light from every angle.

Freehand and fluid. No two are the same.

Your wedding invitation, engraved in glass.

Double-gathered glass that moves like water when lit.

A hand-applied twist that catches light from every angle.

Handblown glass globe in a metal base shaped like Vermont's highest peak.

Two-billion-year-old Carelian soapstone taper holder from Finland.

Better grouped. Surprisingly good at this scale.

The double-gathered optic effect, at an intimate scale.

Wrapped glass vase inspired by Vermont's changing waterways.

The one that started it all. Still made the same way.

The double-gathered optic effect, at an intimate scale.

The one that started it all. Still made the same way.

A hand-opened ruffled rim. Organic and fluid.

The classic evergreen, reimagined with five sides.

White glass, hand-applied to each branch tip.

The one that started it all. Still made the same way.

Bertozzi’s pine forest print on a 60" linen runner.

The classic evergreen, reimagined with five sides.

White streaks encased inside the glass, not on it.

The one that started it all. Still made the same way.

The one that started it all. Still made the same way.

For Old Fashioneds, orange juice, and everything in between.

A wide flared rim, purpose-built for engraving.

One twist, while still molten. Never exactly repeated.

Branches weighted down, like a tree after heavy snow.

Branches weighted down, like a tree after heavy snow.

Five sides instead of three. Signed by Simon.

Bubbles worked through every branch, tip to base.

White streaks encased inside the glass, not on it.

Bertozzi’s pine forest print on organic Italian linen.

Tall, clean-lined, and weighted just right.

Real silver leaf, encased inside the glass.

Generous weight, clean lines, and a joy to drink from.

Branches weighted down, like a tree after heavy snow.