Freehand and fluid. No two are the same.

Concentric swirls worked into the glass by centrifugal force.

A treeline etched onto a cylindrical hurricane. Candle included.

Lifts the wine's nose and invites conversation.

A shell spiral, hand-sculpted and cast into glass.

Wider proportions that work for candles or a trifle.

Nine fused handblown pieces that refract their own light. Part of our Seconds Collection.

The Ascutney silhouette twisted mid-process, catching light from every angle.

Details frozen in winter, flowing in summer.

Details frozen in winter, flowing in summer.

Fluted glass that does something to candlelight.

Freehand and fluid. No two are the same.

The wrapped-glass technique in its most intimate form.

Straight sides, modern foot, four sizes to scale.

Three flames, one vessel. The light multiplies.

A hand-applied twist that catches light from every angle.

Straight sides, modern foot, four sizes to scale.

Every arm and texture of a starfish, cast in glass.

A flared rim inspired by Paul Revere’s silver bowl.

Squared pottery taper holder in Cloud glaze.

A fine bubble texture, shifting with every flicker.

A traditional champagne setup, done properly in glass.

A snow-globe glow from white speckles worked by hand.

A flared rim inspired by Paul Revere’s silver bowl.

The double-gathered optic effect, at an intimate scale.

Freehand and fluid. No two are the same.

Nine fused handblown pieces that refract their own light. Part of our Seconds Collection.

Details frozen in winter, flowing in summer.

Handblown glass globe in a metal base shaped like Vermont's highest peak.

Smooth alabaster tealight, made by stonecutters in India.

A flared rim inspired by Paul Revere’s silver bowl.

Two double-gathered tealights, better together.

Fluted glass that does something to candlelight.

Fluted glass that does something to candlelight.

A surface that makes light play, not just pass through.